A24 is moving away from indie films to big IPs and franchises

Before diving into film production, A24's initial strategy was to acquire distribution rights. This move proved to be astoundingly successful, boosting the careers of several now-renowned filmmakers such as Robert Eggers, Greta Gerwig, Ari Aster, and The Daniels, to name a few.

The studio's first self-produced film, Moonlight, released in 2016, was met with widespread acclaim, winning three Academy Awards, including Best Picture. Over the years, A24 films have garnered an incredible 49 Academy Award nominations, securing 16 wins.

While it's undeniable that every studio, including A24, has its share of misses alongside its hits, the studio's strategy of redirecting less successful films to video on demand platforms rather than indie theaters has been a smart move, as this approach minimizes the risk of widespread negative reception.

Though A24's expansion into television with hits like Euphoria and Netflix's Beef has been well-received, there's growing concern about what a pivot to big IPs might mean for the studio's identity. A24's charm lies in its ability to produce films that don't feel formulaic or overtly corporate.

Unfortunately, as the studio potentially moves towards larger IPs, there's a justifiable concern that its offerings might start mirroring the often regurgitated, formulaic content synonymous with mainstream Hollywood.

The allure of box office numbers and the promise of financial security might tempt A24 to sideline arthouse films and emerging directors completely in favor of established names known to draw massive audiences.

A24's potential shift towards big IPs might be a strategic business move, but we can only cross our fingers and hope that the studio's executives will remember its roots and the principles that made it a beloved name among cinephiles.